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She lives and works in Paris, France. She lives and works in Paris, France. In each place, she has mined local knowledge to inform work that transcends geographic boundaries. Sheila Hicks received BFA ('57) and MFA ('59) degrees in painting from the Yale School of Art. They created sculptural and three-dimensional fiber works that upended conventions, establishing a new order in the largely male-dominated arena of two-dimensional tapestry-making. Sheila Hicksis a contemporary American artist known for her innovative use of weaving and sculptural installations. Sheila Hicks organizes an exhibition of tapestries and textile sculptures at the Stedelijk Museum, 1974. More information is also available about the film collection and the Circulating Film and Video Library. She lives and works in Paris, France. Please. 2 Captivated by structure, form, and color, she has looked to weaving cultures across the globe to shape her work at varying scales, from small hand-woven works called Minimes and wall hangings; to sculptural fiber piles like The Evolving Tapestry: He/She (1967–68); to monumental corporate commissions, among them Enchantillon: Medallion (1967), a prototype for an installation at New York’s Ford Foundation. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. This record is a work in progress. She lives and works in Paris, France. 19 works online Born during the Great Depression in Hastings, Nebraska, Sheila Hicks spent much of her early life on the road, with her father seeking work where he found it. She lives and works in Paris, France. For access to motion picture film stills please contact the Film Study Center. By visiting our website or transacting with us, you agree to this. Information from Wikipedia, made available under the, Information from Getty’s Union List of Artist Names ® (ULAN), made available under the, Panel for interior of Air France Boeing 747 aircraft, Creative Commons Attribution-ShareAlike License. Born during the Great Depression in Hastings, Nebraska, Sheila Hicks spent much of her early life on the road, with her father seeking work where he found it. Spotted a problem? She is known for her innovative and experimental weavings and sculptural textile art that incorporate distinctive colors, natural materials, and personal narratives. Her diverse approach to textiles put her at the center of the burgeoning Fiber Art movement of the 1960s and ’70s, in which artists, including Lenore Tawney and Magdalena Abakanowicz, were inventing new possibilities for pliable mediums. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Sheila Hicks (born in Hastings, Nebraska, 1934) is an American artist. Upon completing her undergraduate degree in 1957, Hicks received a Fulbright grant to study ancient Andean weaving in Chile, using the funds to travel across the continent and explore its rich artistic traditions. More recently, Pillar of Inquiry/Supple Column (2014) demonstrates Hicks’s intense fascination with experimental materials: a whirling structure of multicolored synthetic fibers cascades from the ceiling, as if breaking through from the sky above. She is known for her innovative and experimental weavings and sculptural textile art that incorporate distinctive colors, natural materials, and personal narratives. After finishing her BFA at Yale and before starting the MFA program there, Hicks went to South America on a Fulbright scholarship. Prior to that, she lived and worked in Guerrero, Mexico (1959–63). Prior to that, she lived and worked in Guerrero, Mexico (1959–63). Especially for the exhibition, she has developed extensive sculptures and new works and also includes inspirational objects from the MAK Textiles and Carpets Collection. She became fascinated with textiles and weaving while working with George Kubler, an art historian specializing in pre-Columbian art from South America, who encouraged her to travel abroad to expand her understanding of the medium. This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. This “fantastic…migratory existence,” 1 as she has described it, has come to define her six-decade career as an artist. In all of the cultures of the world, textile is a crucial and essential component,” Hicks has said. Sheila Hicks (born in Hastings, Nebraska, 1934) is an American artist. This “fantastic…migratory existence,” 1 as she has described it, has come to define her six-decade career as an artist. She has traveled extensively throughout her career: setting up workshops in Mexico, Chile, and South Africa; developing commercially woven fabrics in India and tufted rugs in Morocco; and realizing large-scale commissions in the United States, Japan, and Saudi Arabia. ‘I don't think I understood her work back then, but now I have a better notion of what it was …, Attribution-ShareAlike Creative Commons License. From 1959 until 1964, Hicks lived and worked in Taxco el Viejo, Mexico, honing her skills as a fiber artist and learning from traditional textile craftspeople. I just want to have fun while I’m here.” 3, Andrew Gardner, Curatorial Assistant, Department of Architecture and Design, https://www.surfacemag.com/articles/sheila-hicks-artist-on-intuition-success-legacy/, “Sheila Hicks: Begin with Thread,” Vimeo, uploaded by Ford Foundation, October 7, 2014. https://vimeo.com/108250843. Extensive experiences traveling, living, and working around the world continue to advance her exploration of textiles, the pliable and adaptable medium with which she is most closely associated. In 1964, she made her way to Paris, where she continues to operate a studio. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Pioneering fiber artist Sheila Hicks blurs the boundary between painting and sculpture with her vibrant woven and textile works, which she creates in many shapes and sizes, from wall mountings that mimic the format of painting to suspended pieces that hang from ceiling to floor like textured columns. If you have additional information or spotted an error, please send feedback to [email protected]. Sheila Hicks (* 1934) is one of the most important international artists active today, and the MAK is the first institution in Austria to dedicate a solo exhibition to her work. Sheila Hicks (born in Hastings, Nebraska, 1934) is an American artist. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Prior to that, she lived and worked in Guerrero, Mexico (1959–63). She is known for her innovative and experimental weavings and sculptural textile art that incorporate distinctive colors, natural materials, and personal narratives. She is known for her innovative and experimental weavings and sculptural textile art that incorporate distinctive colors, natural materials, and personal narratives. I want to go do something I don’t know how to do,” she has said. The research for this text was supported by a generous grant from The Modern Women's Fund. Let us know. “I don’t want to go do something I know how to do. Sheila Hicks (born in Hastings, Nebraska, 1934 ) is an American artist. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). “Textile is a universal language. By visiting our website or transacting with us, you agree to this. Sheila Hicks (born in Hastings, Nebraska, 1934) is an American artist. Our site uses technology that is not supported by your browser, so it may not work correctly. As a student at Yale University, Hicks studied painting with artist and designer Josef Albers, whose book The Interaction of Color heralded new approaches to the study of color, and left a lasting impact on Hicks’s work.

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